the small camera kit..er kits

I like my camera gear to be small. Cheap and incredibly talented is nice too.. but let's not get greedy. Well one can be greedy.. with the right gear.

My K-5 with the 18-50re is really compact for aps.c, and now the compact 50-200wr has arrived. That's a nice 27-300mm∙e kit that can go out in the rain and shoot quietly from 27-75mm∙e.

Maybe I meant the GX1 kit? With 14/2.5, 30/2.8 and 45-150mm zoom it stays small & does many things well. The 4:3 sensor does not show off to K-5 level but it's a fine 16Mpxl sensor. Its video specs definitely outperform the Pentax; it was hacked to produce 36MB/sec video with better audio too.  It could be set higher still, but then the camera cannot play back the video :(

Hm, how were these two small-kit pictures taken? That was done with the YI.M1. Yes it's also my small kit: with 12-40mm XiaoYi and 45-150 Lumix it can manage 24-300mme. It can go to 4k with its video specs and has a nice 20Mpx sensor. It does not 'do' stabilization with my current lenses but is still a talented little camera!


Any of these kits can be made larger with current lenses  (e.g. Lumix 12-60 or K-mount 100-300 or fast primes) but for small gear I'm in a good place.. and when more is better I'm good there too!

P.S. it should be noted that my wife's GF2 plus 12-32mm Lumix out-smalls all my kits!
It uses older tech but raw images are very nice and for size it is hard to beat.

for the last time II

As noted recently, I've struggled with the choice of kit lens for my GX85. I love the features of the 12-60 Lumix, but it's a bit bulky on the smaller body. That drives me toward the tiny 14-42ii, which is nearly 12-32 small but has a focus ring + 10mm at the long end. And what about the XiaoYi 12-40?

Taken with GX85 and SMC-A 50/1.7. A nice combination

Today's thinking is that the 14-42 is the better option. The ii has dual-IS for improved stabilization (the 12-60 also has this), and its size and similar feel to the 45-150 is quite nice. I'll admit that cash is another reason, as the 12-60 has better resale value.. sad but true.

Update II - I read in the comments section at a forum site about the YI 12-40mm 'retractable' kit zoom. The writer noted that, with the M1's minimal reprocessing of data, their lenses cannot make use of Pana/Oly's inbuilt corrections of distortion and vignetting and must therefore do more themselves.

Sad but true: the big names use internal post-processing tricks to render an acceptable image (one of my peeves about the μ43 system). One can use alternate software to look at raw images, and many Zuiko/Lumix lenses have seriously silly distortion characteristics.

The point that I left behind is that the 12-40mm xiaoYi zoom does not have those dismal specs to wash away in the camera's after-shot routine - so the lens is built with better corrections to limit those distortions. It may not appear to do as good of a job but in fact it's a better standalone optical setup than even some of the high-grade gear from the Others.

 Hadn't thought of that.. and glad it's still here!

for the last time..

The choice of standard zoom remains for me to select a winner. Lumix 14-42ii or 12-60? Miniature bulk or maximum versatility? What would I use more /miss less among the features?

Both these zooms receive generally good marks in online reviews. The larger lens has more range, weather seals and has not reached f/5.6 at 40mm so is a bit faster at the 14-42's long end. Adding hoods make them look similar in overall size but it's definitely not so - the 14-42 takes 46mm filters compared to 58mm on the 12-60. Weight isn't quite 2:1 but it's fairly close to that ratio. I like having 12mm but I can stitch two shots at 14mm when wide is a big deal.

So each has its values and drawbacks - no surprise there.

Here's the most valuable point of separation for me: close focus ability. Both get to nearly the same distance from an object but a 60mm closeup will out-scale a 42mm closeup every time in that circumstance. This is something I can see clearly, and that I will often use when I don't have my 10mm extension tube handy. I really don't need 1:1 closeup for my typical use (the 4Thirds 35/3.5 is for slide duplication more than general use) so flower shots and the occasional bug will do fine with the 12-60.

The last-body-ever hunt ended when a GX85 body was found for only slightly more than I expected to pay for a healthy GX7, so that's that. Complexity wins (as does updated shutter and better/dual IS!).

So here's where the kit stands now:
Body - GX85 (still holding GX1 and YI M1 w/kit lenses)
General-use lens: Lumix 12-60
Tiny telephoto: Lumix 45-150
Wide prime: Lumix 14/2.5
Bonus 4Thirds lenses:  ZD 35 macro & 70-300 tele

I'd love to spend a bit on more primes some day, and maybe the 35-100/2.8. Some day will not be any time soon, barring a massive financial windfall. Not much chance of that.

no fair (dirty details on a great image)

I recently posted an image that has been my most-liked image ever at both an online photo forum and on facebook.

What did I do to make this appealing image happen?!?

The answer is - well, embarrassing.

First off, here's the shot.

• Gear - Lumix G85 and 12-60mm² lens.
• Processing - resized, cropped to remove the right side which was all wall. That's it.
• Technique - none. I suppose that could be expanded upon a bit.

After a couple of cold and stormy days I awoke to a clear and cold dawn. I wasn't dressed to go take photos, and our deck had about a foot of snow on it. Since it was so pretty out I went with the alternate plan: stick my arm out the sliding door and shoot.

Here was the result. Neat light on the clouds, plenty of snow, and I managed to stay warm as I sipped my coco-mocha.

About fifteen minutes later the sun broke through those low clouds and illuminated the yard and deck with warm-tinted sunshine. The texture of the snow in our yard looked really cool and I needed to take a second photo. Having looked at the first shot I knew it was too wide, so I zoomed in a bit while standing in the warm house. So the composition step was taken in absentia and was quite arbitrary, with the goal of more yard, less house.

The G85 allows one to pop the screen halfway out for shooting at odd angles, e.g. one-handed out a sliding door. I didn't do that. Instead I held the camera out again at arm's length, eyeballed it as level, and clicked. It could possibly have been a bit better with some actual time spent with composition but with my arm extended the image was really too far away for me to work hard at improving the composition.

It was much later in the day that I looked this shot over, and was pleasantly surprised to see that I had caught the sun in the image. Note that it sits between the downspout and the wall of our home - meaning that any earlier or later (or if my arm were longer or shorter!) this would be a completely different image. So a bit of planning might have helped, but probably would have led to a poorer overall result; thankfully, I did none.

When I saw the 'post your snow images' thread at an online forum I imported the image into LView Pro v1.D2, my mid-90s imaging software that is tiny and excellent at simple editing. I cropped out most of the outside wall, resized and re-saved.

Yes, some day I can grab the original and do some 'serious' editing of this image. I may even want to do that. Maybe.

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I like stories with morals so here goes:

Good gear is good, and gear that suits you is better than gear that doesn't.

Gear that you know will serve you better than gear you don't know.*

Light/location/timing are more important than gear!

Go take pictures, and be amazed.

*The G85 is not gear that I know just yet. It's impressed me consistently despite my ignorance.
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Note - why is this lens labeled 12-60²? That would be because the 12-60¹ was an Olympus 4Thirds lens, my lens is the 'kit' Lumix f/3.5-5.6 version, and the newest iteration is the Leica f/2.8-4.0. Yes the 24-120mm equivalent is very nice - but does the 4Thirds group have no other creative FL options??

castaways (spousal considerations II)

With the recent appeal of the GM1, my wife and I decided the Samsung NX pair can go.
Easier said than done nowadays, as everyone knows it's an orphaned system - but it is still excellent gear capable of impressive images.  The NX300 has a 20Mpx APSc sensor with PDAF sensors within, so its hybrid CD+PD system focuses quickly. The touchscreen allows for quick selection of where to AF in stills and video. I had tried to sell my copy several times recently with no success.

Today it sold!
I shall miss the uniqueness of the NX system, and how it captured colors just a bit differently from any other system I've tried. Blues and browns were somehow stronger, and images of Duncan may never quite be the same.

So the New Kit XVII has surfaced:

• Lumix / micro43 body (GM1 for now)
• Lumix 12-60 sealed power-IS lens (24-120mme)
• Lumix 45-150 tiny telephoto zoom (90-300mme)
• Olympus 17mm/2.8 pancake prime

clockwise: usb charger, Oly 17, Zuiko 35 macro adapted,
45-150 on GM1 and Lumix 12-60

At some point a few more small lenses will drop in; hopefully the Sigma 60/2.8 and a fisheye type of some sort. The higher-end primes are quite amazing, but my wife isn't the only one here who prefers their gear to be small. Besides, I am not a big user of 50mme so I don't need one of the many 24/25mm lenses. I have fast Pentax primes at 100 and 200mme so indulging in µ43 telephoto primes with few additional features feels unreasonable.

I'd like a weather-sealed body to go with that 12-60 but the GX7 is a good choice for now. Images should match the GM1 but with advanced controls & features like a viewfinder, better grip and tip screen. No rush on a second body though -- going by my track record that means "within a month", sadly. Not sad to own: sad that I'm so predictable! 

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Oh yes: the emergency-backup kit remains for now. These lenses can be adapted to micro cameras, but AF is dreadfully slow that way. Still, using in MF isn't all that bad, and it's nice to have a 1:1 macro now and then.. not to mention 400mme for distant critters!
Olympus e500 dSLR (4Thirds)
Zuiko 14-42 zoom gen.2 (28-84mme)
Zuiko 35mm f/3.5 1:1 macro (70mme)
Zuiko 18-180 superzoom (36-360mme)
Sigma 55-200 zoom (110-400mme)

Given the resale value of ten-year-old digital cameras, and that the E500 uses a Kodak CCD sensor, it's hard to find a reason to give it up. CCD sensors have a different 'look' from CMOS; not many can state what that difference is, but many prefer CCD when the ISO setting can be kept at its base setting. Why not have the option? I also plan for it to be my slide-duplication setup, as 8Mpx will be plenty of data without totally jamming up a few hard drives.